You know I love Bergdorf ads. But it's the outfit here that catches my imagination. From 1964, the Adele Simpson rayon sheath dress with interesting seaming is set off with a matching capelet. The cape was lined in contrasting silk and the set came with a leather tie belt in the same color as the cape lining. The color combinations were wonderful: navy with vivid green lining and belt, sea green with turquoise, gold nugget with black or black with gold nugget. The set sold for $160 in 1964 (about $1220 in today's dollar.)
Which color would you choose?
Wednesday, April 23, 2014
Thursday, April 17, 2014
Cotton Suits for Spring - 1961
Cool, comfortable and certainly chic, did you know cotton tailors well? Here are two great examples from 1961.
Above: Ben Zuckerman sheath dress and 3/4 coat in luscious pink cotton pique. Yummy!
Adele Simpson blue cotton jacket and skirt paired with a printed silk blouse. The little jacket is lined in the same fabric as the blouse. The giant buttons add just the perfect finishing touch.
Above: Ben Zuckerman sheath dress and 3/4 coat in luscious pink cotton pique. Yummy!
Adele Simpson blue cotton jacket and skirt paired with a printed silk blouse. The little jacket is lined in the same fabric as the blouse. The giant buttons add just the perfect finishing touch.
Labels:
1961,
adele simpson,
ben zuckerman,
vintage suits
Thursday, April 10, 2014
Test Your Fashion Eye Answer
Did you see it? The suit is a navy wool with a bolero jacket over a bias cut midi length skirt, worn with a white silk blouse. All three pieces are by Stavropoulos. Nothing wrong there.
The gold tassel belt is by Richelieu and adds a perfect bit of sparkle. Nothing wrong there either.
Chunky platform shoes by Viner Bros. worn with dark hosiery. Nope, that's OK.
Gloves by Crescendoe-Superb. Wait! Gloves in 1970? No, no, no, no, no! Gloves, like hats, had gone completely out of favor by this time, especially with the younger fashion reader that editor Diana Vreeland was appealing to. They look very out of place with this ultra modern 1970 suit. Why include them in the photo? My guess would be that either Vreeland was under pressure to appeal to her more traditional readers from the powers on high at Vogue, or the Crescendoe company required their gloves be used in fashion shoots as part of an agreement to buy ad space in the magazine. What do you think?
Photo by Bert Stern for Vogue magazine, 1970.
The gold tassel belt is by Richelieu and adds a perfect bit of sparkle. Nothing wrong there either.
Chunky platform shoes by Viner Bros. worn with dark hosiery. Nope, that's OK.
Gloves by Crescendoe-Superb. Wait! Gloves in 1970? No, no, no, no, no! Gloves, like hats, had gone completely out of favor by this time, especially with the younger fashion reader that editor Diana Vreeland was appealing to. They look very out of place with this ultra modern 1970 suit. Why include them in the photo? My guess would be that either Vreeland was under pressure to appeal to her more traditional readers from the powers on high at Vogue, or the Crescendoe company required their gloves be used in fashion shoots as part of an agreement to buy ad space in the magazine. What do you think?
Photo by Bert Stern for Vogue magazine, 1970.
Labels:
1970,
crescendoe gloves,
stavropoulos
Wednesday, April 09, 2014
Test Your Fashion Eye - 1970
This image comes from a 1970 issue of Vogue magazine. When you look at this photo, can you tell what is "off" or "out-of-place" and why? Answer tomorrow!
Tuesday, April 08, 2014
Jean Patou - 1947
This gorgeous evening gown was designed by Jean Patou in the spring of 1947. Sparkling gold sequins cover the strapless bodice and glimmer over the pale blue tulle skirt. A dress like this must have captured the imagination of every woman in Paris after years of war and deprivation. The color combination inspires me today. What does the gown say to you?
Labels:
1947,
Jean Patou
Monday, April 07, 2014
White Dresses for Graduation - 1949
It's long been a tradition at many schools that the female graduates are required to wear a white dress for the ceremony. I'm not sure of the reasons for this, but here are two pretty choices from 1949.
Left: White dotted swiss with eyelet lace by Nona.
Right: Embroidered organdy with a velvet sash by Junior Accent.
Did you wear white for your graduation?
Left: White dotted swiss with eyelet lace by Nona.
Right: Embroidered organdy with a velvet sash by Junior Accent.
Did you wear white for your graduation?
Labels:
1949,
vintage dresses
Tuesday, April 01, 2014
Meet Nancy and Sandie
I had a private sale the other day and my friend Nancy stopped by to do a little shopping. Nancy has a great eye for fashion and she pulled out this lovely 1950s cotton dress that looked rather blah on the hanger. As soon as she put it on, the dress came alive. It looks like it was made for her, just 60 years ago! Nancy, you look beautiful!
Nancy brought along her friend Sandie. Sandie tried on this sequin covered party dress from the 1980s, and WOW! Talk about glamour! She will take this dress along to wear on a cruise, and she is sure to stand out from the crowd. Sandie, you look gorgeous!
Have you shopped for vintage lately? Perhaps you should!
Nancy brought along her friend Sandie. Sandie tried on this sequin covered party dress from the 1980s, and WOW! Talk about glamour! She will take this dress along to wear on a cruise, and she is sure to stand out from the crowd. Sandie, you look gorgeous!
Have you shopped for vintage lately? Perhaps you should!
Labels:
customer photos