You know that I love the ad copy that accompanies Bergdorf Goodman ads. This one is from 1955.
"Chiffon Flame in the Wind by Ceil Chapman $135
Born to dance the night away - our silk chiffon in a smoldering, flaming pink. It's draped bodice, one-shouldered stole and cloud-formation skirt beautiful accompaniment to music heard or unheard. Also in black, in sizes 8 to 16."
The stole shown draped around her head is attached at one shoulder and can hang freely down the back of the gown. Interesting gathered waist extends up into the bust and down into the hips. $135 is about $1,176 in today's dollar.
Would you chose pink or black?
Photo by Karen Radkai for Bergdorf Goodman.
Full page ad from Harper's Bazaar, 1955.
Showing posts with label ceil chapman. Show all posts
Showing posts with label ceil chapman. Show all posts
Wednesday, December 11, 2013
Monday, November 25, 2013
Ceil Chapman Evening Gown - 1954
This full page ad for Lurex from 1954 features an evening gown by Ceil Chapman and jewels by Harry Winston. The gown is white taffeta woven with gold Lurex threads. I would love to see this gown shimmer and shine in person!
Labels:
1954,
ceil chapman,
harry winston
Monday, December 24, 2012
Think Pink
You know everyone else will be wearing red or green today. They'll be wearing ugly Christmas sweaters to make you giggle and groan. You know what I think? I think you should wear pink! Gown by Ceil Chapman.
Labels:
ceil chapman,
pink
Saturday, August 25, 2012
Weekend Eye Candy - Ceil Chapman, 1956
From 1956, a dress by Ceil Chapman made from Ametex brand lace. Note how the dress is allowed to be the star here by way of a sleek hair style and no accessories except little white gloves. I adore this photo, don't you?
Labels:
1956,
ceil chapman
Monday, June 27, 2011
Thank You and 1949 Evening Gowns
Thank you a thousand times for the huge outpouring of support after my blog post last Monday. As your comments and emails poured in during the day and throughout the rest of the week, it became crystal clear that my time spent here is worth every minute. I appreciate every one of you and am so glad that you enjoy my work. I want you to know that I approved and posted every comment that came in, including a couple of less-than-positive remarks from anonymous posters. In response to a few suggestions, I have removed the word verification from comments and will be watermarking the photos in a less conspicuous way. And now, back to work!
I wish I could tell you where Louise Dahl-Wolfe took these beautiful photos in 1949. The background of the antique silvered mirror wall provides a perfect setting for three luscious party dresses that are perfect for summer.
Left: Red and white polka dotted cotton organdy fashions a strapless pouf of a dress by Fred Perlberg. Prarie points accent the edge of the bodice. Sold for $29.95 in 1949 (about $284 in today's dollar.)
Right: More organdy, this time in white printed with bouquets of roses. The gown is by Ceil Chapman and has a ruched bodice with a shoulder wrap that extends from one side. Sold for $70 in 1949 (about $665 in today's dollar.)
David Klein designed this dress to look like a flower. White taffeta forms petals over netting in the skirt. Sold for $35 in 1949 (about $332 in today's dollar.)
I wish I could tell you where Louise Dahl-Wolfe took these beautiful photos in 1949. The background of the antique silvered mirror wall provides a perfect setting for three luscious party dresses that are perfect for summer.
Left: Red and white polka dotted cotton organdy fashions a strapless pouf of a dress by Fred Perlberg. Prarie points accent the edge of the bodice. Sold for $29.95 in 1949 (about $284 in today's dollar.)
Right: More organdy, this time in white printed with bouquets of roses. The gown is by Ceil Chapman and has a ruched bodice with a shoulder wrap that extends from one side. Sold for $70 in 1949 (about $665 in today's dollar.)
David Klein designed this dress to look like a flower. White taffeta forms petals over netting in the skirt. Sold for $35 in 1949 (about $332 in today's dollar.)
Labels:
1949,
ceil chapman,
fred perlberg





