Two 2-piece pantsuits from 1969. Two bold prints. One just right and one overwhelming. Can you see the difference?
This set by Adele Simpson (that's the designer peeking out behind the model) is fashioned from a bold, large scale floral print. What makes this work is the fact that the print is broken up by the bare midriff and short sleeves. The beading also gives the eye a rest by giving it a place to stop. Everything about this set works to perfection.
Now look at this tunic and pants set by Saks Fifth Avenue. The bold black and white print long-sleeved tunic with it's buttoned up collar and the wide-legged pants overwhelm the model. Your eye can't settle because that print is everywhere. You don't even see the model's face. How would this work better? Short sleeves would help. A lower neckline would help. A solid color wide belt would help. But this set would probably be best broken up. Wear the tunic with solid pants or wear the pants with a solid top. Both together? Too much. Do you agree?
This set by Adele Simpson (that's the designer peeking out behind the model) is fashioned from a bold, large scale floral print. What makes this work is the fact that the print is broken up by the bare midriff and short sleeves. The beading also gives the eye a rest by giving it a place to stop. Everything about this set works to perfection.
Now look at this tunic and pants set by Saks Fifth Avenue. The bold black and white print long-sleeved tunic with it's buttoned up collar and the wide-legged pants overwhelm the model. Your eye can't settle because that print is everywhere. You don't even see the model's face. How would this work better? Short sleeves would help. A lower neckline would help. A solid color wide belt would help. But this set would probably be best broken up. Wear the tunic with solid pants or wear the pants with a solid top. Both together? Too much. Do you agree?